![]() A burglary that inevitably brings him into conflict with his nemesis - the Teen Titan: Robin! First he must acquire a specific scientific device from STAR Labs in Gotham City. His plan: to send hisĪgents to collect the residual psychic energies left on Earth by theįlanked by an army of Para-Demon soldiers,ĭeathstroke accepts Darkseid's mission to lead a quest to accrueĬosmic energy. Harness the supreme power of The Source Wall. The gulf of space: Darkseid contemplates the means to penetrate and While a universe away, her flaming visage inspires terror. The memory ofįallen comrade Phoenix haunts the mind and heart of those who loved her, Plague the young heroes of the X-Men and Teen Titans. ![]() ![]() Where: Uncanny X-Men and The New Teen Titans #1 When: 1982 ![]()
0 Comments
![]() ![]() ![]() This chapter explores the creation of intimacy and expression of love and desire in a twenty-first-century epistolary novel. In the twenty-first century, even after the decline of letters as a preferred medium of communication, the genre is far from disappearing with the development of the e-mail novel, it has transformed and accommodated itself to contemporary conditions. As a traditional genre of self-observation and observation of others, epistolary novels simulate face-to-face communication and are particularly suited to replicate modern forms of sociability and reflection. Epistolary novels like Richardson's Pamela (1740), Rousseau's Julie ou la Nouvelle Heloïse (Julie, Or The New Heloise, 1761), or Goethe's Die Leiden des jungen Werthers (The Sorrows of Young Werther, 1774) explore the potential of this genre to express modern subjectivity in the context of romantic love as a medium with its own codes of communication. EPISTOLARY NOVELS BECAME increasingly popular in the eighteenth century as a consequence of two major developments: the emergence of the concept of romantic love1 and the formation of modern reflexivity. ![]() ![]() ![]() ![]() ![]() "The best yet from one of the best in the business. A gripping, deeply unsettling novel."-Carmen Maria Machado, National Book Award finalist and Guggenheim Fellow and author of Her Body and Other Parties " The Only Good Indian is equal parts revenge thriller, monster movie, and meditation on the inescapable undertow of the past. “Jones boldly and bravely incorporates both the difficult and the beautiful parts of contemporary Indian life into his story, never once falling into stereotypes or easy answers but also not shying away from the horrors caused by cycles of violence.”-Rebecca Roanhorse, bestselling author of Trail of Lightning and Black Sun “Fans of Stephen King's It and Peter Straub's Ghost Story should find plenty to love in this tale of friends who are haunted by a supernatural entity they first encountered in their youth.” -Silvia Moreno-Garcia, bestselling author of Mexican Gothic ![]() |